Showing posts tagged literature
An illustration from Outside Over There, my favourite Maurice Sendak book and one of my favourite books of all time.
06/10/1928 - 05/08/2012. That is not enough.

An illustration from Outside Over There, my favourite Maurice Sendak book and one of my favourite books of all time.

06/10/1928 - 05/08/2012. That is not enough.

“Toads” by Philip Larkin

Why should I let the toad work
  Squat on my life?
Can't I use my wit as a pitchfork
  And drive the brute off?

Six days of the week it soils 
  With its sickening poison -
Just for paying a few bills!
  That's out of proportion.

Lots of folk live on their wits:
  Lecturers, lispers,
Losels, loblolly-men, louts-
  They don't end as paupers;

Lots of folk live up lanes
  With fires in a bucket,
Eat windfalls and tinned sardines-
  they seem to like it.

Their nippers have got bare feet,
  Their unspeakable wives
Are skinny as whippets - and yet
  No one actually starves.

Ah, were I courageous enough 
  To shout Stuff your pension!
But I know, all too well, that's the stuff
  That dreams are made on:

For something sufficiently toad-like
  Squats in me, too;
Its hunkers are heavy as hard luck,
  And cold as snow,

And will never allow me to blarney
  My way of getting
The fame and the girl and the money
  All at one sitting.

I don't say, one bodies the other
  One's spiritual truth;
But I do say it's hard to lose either,
  When you have both.

I wish to own only the warmth
of your skin
the sound your thoughts make
reverberating off the coldness
of my loss
to love you purely
as I love trees and
the quiet sheens and
colors
of my house
my heart is full
of charity
of fair play
although on other
occasions
it has been acknowledged
I am a thief.
Alice Walker, “Thief,” from Revolutionary Petunias & Other Poems
About sympathy for example—we can do without it. The illusion of a world so shaped that it echoes of every groan, of human beings so tied together by common needs and fears that a twitch at one wrist jerks another, where however strange your experience other people have had it too, where however far you travel in your own mind someone has been there before you—is all an illusion. We do not know our own souls, let alone the souls of others. Human beings do not go hand in hand the whole stretch of the way. There is a virgin forest in each; a snowfield where even the print of birds’ feet is unknown. Here we go alone, and like it better so. Always to have sympathy, always to be accompanied, always to be understood would be intolerable.
Virginia Woolf, “On Being Ill”

“Yet there is some evidence to suggest that Mary, vigorously as she threw herself into this excessively romantic way of life, also had some reservations about its possibilities for making her happy. She was both adventurous and sceptical, willing to cross boundaries and yet well aware of the need for containment. In short, she was exactly the sort of person who could retrieve a dream like Frankenstein from the depths of her unconscious and deliver it to us - I was going to say ‘unflinchingly’, but that is not accurate, for she was intelligent and sensitive enough to flinch at all its terrors.”

- from Wendy Lesser’s Introduction

We have only one noun
but as many different kinds:

the grainy snow of the Puritans
and snow of soft, fat flakes,

guerilla snow, which comes in the night
and changes the world by morning,

rabbinical snow, a permanent skullcap
on the highest mountains,

snow that blows in like the Lone Ranger,
riding hard from out of the West,

surreal snow in the Dakotas,
when you can’t find your house, your street,
though you are not in dream
or a science-fiction movie,

snow that tastes good to the sun
when it licks black tree limbs,
leaving us only one white stripe,
a replica of a skunk,

unbelievable snows:
the blizzard that strikes on the tenth of April,
the false snow before Indian summer,
the Big Snow on Mozart’s birthday,
when Chicago became the Elysian fields
and strangers spoke to each other,

paper snow, cut and taped
to the inside of grade-school windows,

in an old tale, the snow
that covers a nest of strawberries,
small hearts, ripe and sweet,

the special snow that goes with Christmas,
whether it falls or not,

the Russian snow we remember
along with the warmth and smell of our furs,
though we have never traveled
to Russia or worn furs,

Villon’s snows of yesteryear,
lost with ladies gone out like matches,
the snow in Joyce’s “The Dead,”
the silent, secret snow
in a story by Conrad Aiken,
which is the snow of first love,

the snowfall between the child
and the spacewoman on TV,

snow as idea of whiteness,
as in snowdrop, snow goose, snowball bush,

the snow that puts stars in your hair,
and your hair, which has turned to snow,

the snow Elinor Wylie walked in
in velvet shoes,

the snow before her footprints
and the snow after,

the snow in the back of our heads,
whiter than white, which has to do
with childhood again each year.

“Not Only the Eskimos” by Lisa Mueller, from Garrison Keillor’s Good Poems for Hard Times, ‘cause these are hard times, yo.
The modern biographers worry
‘how far it went,’ their tender friendship.
They wonder just what it means
when he writes he thinks of her constantly,
his guardian angel, beloved friend.
The modern biographers ask
the rude, irrelevant question
of our age, as if the event
of two bodies meshing together
establishes the degree of love,
forgetting how softly Eros walked
in the nineteenth century, how a hand
held overlong or a gaze anchored
in someone’s eyes could unseat a heart,
and nuances of address not known
in our egalitarian language
could make the redolent air
tremble and shiver with the heat
of possibility. Each time I hear
the Intermezzi, sad
and lavish in their tenderness,
I imagine the two of them
sitting in a garden
among late-blooming roses
and dark cascades of leaves,
letting the landscape speak for them,
leaving us nothing to overhear.
Lisa Mueller, “Romantics: Johannes Brahms and Clara Schumann”
Brothers, have no fear of men’s sin. Love a man even in his sin, for that is the semblance of Divine Love and is the highest love on earth. Love all God’s creation, the whole and every grain of sand in it. Love every leaf, every ray of God’s light. Love the animals, love the plants, love everything. If you love everything, you will perceive the divine mystery in things. Once you perceive it, you will begin to comprehend it better every day. And you will come at last to love the whole world with an all-embracing love. Love the animals: God has given them the rudiments of thought and joy untroubled. Do not trouble it, don’t harass them, don’t deprive them of their happiness, don’t work against God’s intent. Man, do not pride yourself on superiority to the animals; they are without sin, and you, with your greatness, defile the earth by your appearance on it, and leave the traces of your foulness after you—alas, it is true of almost every one of us! Love children especially, for they too are sinless like the angels; they live to soften and purify our hearts and as it were to guide us…
Fyodor Dostoevsky, “Conversations and Exhortations of Father Zosima” (Chapter III, Book VI, Part II), The Brothers Karamazov